As an artist living with Osteogenesis Imperfecta (often called Brittle Bone Disease), people often suggest I could make a fortune if I focused on painting full-time. While I’m deeply passionate about art, the reality is more complex—and it’s shaped by both my disability and my personal preferences.
1. The Myth of the “Starving Artist”
Many believe a full-time painter can easily make a living, but the phrase “starving artist” exists for a reason. Few artists earn substantial income solely from their art. Often, their work becomes truly valuable—or gains significant recognition—well after they’ve passed away. For most working disabled artists (and able-bodied ones, too), additional sources of revenue are vital.
2. Physical Limitations and Brittle Bone Disease
Because of Osteogenesis Imperfecta, painting for extended hours can take a toll on my body. Despite working on relatively small pieces, the repetitive motion strains my hand, arm, shoulder, and back. I’ve even fractured ribs and collarbones from consecutive days of intense painting sessions. This harsh physical reality means I can’t produce enough art to sustain a full-time painting career without risking my health.
3. Preventing Burnout Through Variety
While I find art fulfilling, it can become monotonous when I do the same thing day in and day out. I switch between painting, jewelry making, and graphic design to keep my creativity fresh. This variety keeps me mentally stimulated and prevents me from burning out on any one medium.
4. The Difference Between Graphic Design and Painting
Graphic design and painting are both creative pursuits, but they differ greatly:
- Graphic design: More of a problem-solving process. You’re bound by client needs, brand guidelines, and precise specifications that directly impact how the final work is perceived.
- Painting: Particularly when it’s not a commission, there’s a sense of freedom. Small “mistakes” or creative liberties are often inconsequential, as long as the final piece looks coherent and conveys the intended emotion or subject.
When it comes to commissioned paintings (like pet portraits), I do have to mirror the exact look, colors, and expressions of the subject. That’s what the client pays for. But in non-commissioned pieces, I can take more creative risks without worry.
5. Avoiding Boredom—and Preserving My Passion
Contrary to popular belief, focusing on one aspect of art alone can be draining—especially for me, given the physical demands of painting with Brittle Bone Disease. By diversifying my workload (switching between art, design, and other creative ventures), I remain motivated and excited about what I do. Constant variety ensures I never resent the job that typically brings me joy.
Final Thoughts
For me, doing art full-time isn’t just a financial hurdle—it’s a physical and emotional one. As a disabled artist, my disability shapes many decisions. I thrive by balancing different creative outlets, preventing burnout, and safeguarding my health. So the answer to why I don’t paint full-time is two-fold:
- It’s challenging to rely on painting alone for a steady income.
- I’d risk both my physical well-being and my love for the craft by overdoing it.
By juggling several creative pursuits, I stay energized, avoid stagnation, and continue to enjoy art—without succumbing to the health risks of an all-consuming painting career. It may seem like a lot to manage, but in the end, it’s exactly the variety I need to keep my motivation high and my Brittle Bone Disease in check.